Borobudur - Mountain of Buddhas
Central Java, Indonesia
Historical Overview
Borobudur is the world's largest Buddhist monument and one of the greatest architectural achievements in human history. Built during the 8th-9th centuries CE (c. 750-825 CE) during the reign of the Sailendra Dynasty ("Lords of the Mountain"), this colossal stone structure represents the pinnacle of Mahayana Buddhist architecture in Southeast Asia. The monument consists of nine stacked platforms—six square and three circular—topped by a central dome, all constructed from approximately 2 million blocks of volcanic andesite stone quarried from nearby rivers. The entire structure is decorated with 2,672 relief panels and originally contained 504 Buddha statues, creating a monumental three-dimensional mandala that physically embodies the Buddhist path to enlightenment.
The name "Borobudur" has been the subject of scholarly debate. It may derive from the Sanskrit "Vihara Buddha Uhr" (Buddhist monastery on the hill), or possibly from "bara-budur" meaning "temple on the hill," or even "bhumi sambhara budhara" (mountain of accumulation of merit of the ten stages of bodhisattva). The monument was constructed on a natural hill, with its base measuring approximately 123 meters (404 feet) on each side and rising 35 meters (115 feet) above the surrounding plain. An estimated 75 years of labor by thousands of workers was required to complete this massive undertaking, making it roughly contemporary with the construction of Charlemagne's Palatine Chapel in Aachen and predating England's great cathedrals by several centuries.
The Sailendra Dynasty
The Sailendra Dynasty ruled central Java from approximately 760 to 860 CE, establishing themselves as fervent patrons of Mahayana Buddhism and creating a golden age of Buddhist art and architecture. Under their reign, Central Java became a major center of Buddhist learning and culture, with Borobudur standing as their supreme achievement. The dynasty's name, meaning "King of the Mountain" or "Lord of the Mountain," reflects their association with sacred mountain cosmology central to both Hindu and Buddhist thought—the concept that mountains serve as the axis mundi connecting earth to heaven. Historical inscriptions suggest that Borobudur was likely commissioned by King Samaratungga (r. c. 812-832 CE) or possibly begun by his predecessor Dharanindra. The Sailendras maintained extensive maritime trade networks and cultural connections with Buddhist kingdoms throughout Southeast Asia, India, and even as far as China and the powerful Srivijaya Empire of Sumatra. They sponsored the construction of numerous Buddhist monuments across Java, including the temples of Mendut and Pawon, which form a sacred axis with Borobudur, suggesting a larger ritual landscape designed for ceremonial processions during major Buddhist festivals.
Construction Techniques & Engineering Marvel
The engineering and construction of Borobudur represents a remarkable achievement considering the technological limitations of 9th-century Java. The monument was built entirely without mortar, using an interlocking stone system with precisely cut volcanic andesite blocks fitted together with remarkable precision—some joints are so tight that a knife blade cannot be inserted. Each stone was carved individually to fit its specific location, with blocks weighing up to several tons transported from river quarries via methods still debated by scholars, likely involving elephants, wooden rollers, bamboo scaffolding, and thousands of coordinated laborers. The structure incorporates an ingenious drainage system with over 100 spouts carved in the form of makaras (mythical sea creatures) to channel rainwater away from the monument, preventing water infiltration that could destabilize the structure. The builders demonstrated sophisticated understanding of load distribution, structural engineering, and seismic resistance, creating a stable pyramid-like form that has endured centuries of earthquakes, volcanic eruptions, and tropical monsoons. Recent archaeological studies using ground-penetrating radar and LIDAR technology have revealed that the monument was constructed around and upon a natural hill, with the builders skillfully incorporating the natural topography into their design rather than leveling the site. The precise astronomical alignments of the monument—with each cardinal direction aligned to compass points and the structure oriented to face sunrise during equinoxes—suggest advanced mathematical and astronomical knowledge among the Javanese architect-priests.
Abandonment & Burial
In the 10th-11th centuries, Central Java experienced dramatic shifts in political and religious power that led to Borobudur's abandonment. Around 928-929 CE, the Javanese capital moved from Central Java to East Java for reasons still debated by scholars—theories include massive volcanic eruptions that devastated the region, political conflicts between Buddhist and Hindu factions vying for power, shifting maritime trade routes that favored eastern Java, or a combination of these catastrophic factors. As Hindu-Javanese kingdoms rose to prominence under the Medang Kingdom and later the Majapahit Empire, and as Islam gradually spread throughout the archipelago beginning in the 13th century, Borobudur was progressively abandoned as an active religious site. The catastrophic eruption of Mount Merapi around 1006 CE—one of the most violent eruptions in recorded Javanese history—likely contributed significantly to the site's desertion, covering much of the monument in thick layers of volcanic ash and debris and possibly making the surrounding region temporarily uninhabitable. Over subsequent centuries, the tropical jungle reclaimed the structure with dense vegetation taking root in every crevice, and layer upon layer of volcanic ash, soil, and organic matter gradually buried the entire monument. The structure disappeared from collective memory and written historical records, surviving only in vague local legends of a "hill of a thousand statues," a "forbidden hill," or a cursed mountain. For approximately 800 years, this architectural masterpiece lay completely hidden beneath the earth, forgotten by the outside world yet preserved in oral traditions that spoke of an ancient mountain temple built by giants or supernatural beings in a single night—a testament to the structure's seemingly impossible grandeur and the power of folk memory to preserve traces of lost civilizations.
Rediscovery & Early Excavations (1814-1900)
The modern rediscovery of Borobudur occurred in 1814 when Sir Thomas Stamford Raffles, then British Lieutenant Governor-General of Java during the brief interregnum of British rule (1811-1816), was informed by local Javanese inhabitants of a hill covered with carved stones hidden deep in the jungle near Magelang. Raffles, an enthusiastic scholar of Javanese history, culture, and antiquities, immediately recognized the potential significance and dispatched Dutch engineer H.C. Cornelius to investigate. Cornelius led a team of 200 men who worked for six weeks clearing trees and vegetation, revealing the upper terraces and stupas of this colossal monument. The first drawings and descriptions sent to Europe amazed the scholarly world, revealing the existence of this massive Buddhist monument that rivaled the greatest temples of India and surpassed anything previously known in Southeast Asia.
However, the initial clearing and subsequent visitor traffic throughout the 19th century led to extensive looting and vandalism, with numerous Buddha heads removed and sold to private collectors and museums in Europe and America—a cultural loss that continues to this day, with many sculptures still missing. King Chulalongkorn of Siam (Thailand) visited in 1896 and was presented with eight cartloads of sculptures as gifts, which now reside in Bangkok's National Museum. In 1873, the first monograph on Borobudur was published by Dutch scholar C. Leemans, sparking international scholarly interest. Throughout the late 19th century, various expeditions documented and photographed the temple, but the structure continued to deteriorate, with the stone foundation weakening and walls beginning to bulge and collapse.
Van Erp Restoration (1907-1911)
The first major restoration was undertaken between 1907 and 1911 under the direction of Dutch military engineer Theodoor van Erp. This four-year project focused on the circular upper terraces and their perforated stupas, which were in danger of complete collapse. Van Erp dismantled and rebuilt the three circular terraces, installed a basic drainage system, and cleaned hundreds of relief panels. He also discovered that the monument had been constructed without proper foundations and that the internal structure was filling with water, causing the walls to bow outward. His team photographed and catalogued reliefs systematically for the first time, creating invaluable documentation. While van Erp's restoration stabilized the upper levels and prevented immediate collapse, the fundamental structural problems of the monument—particularly water infiltration and inadequate foundations—remained unsolved, setting the stage for future deterioration.
UNESCO Restoration Project (1973-1983)
By the 1960s, Borobudur faced critical structural failure. The Indonesian government appealed to the international community for help, and UNESCO responded with one of the most ambitious archaeological restoration projects ever undertaken. From 1973 to 1983, an international team of experts completely dismantled and rebuilt the entire monument. Over one million stone blocks were removed, catalogued, cleaned, and treated. The project addressed the fundamental problem that had plagued the structure: water infiltration. Engineers installed a modern drainage system with pipes and channels, laid a concrete foundation to distribute weight evenly, and added waterproofing layers. Each stone was numbered and photographed before removal, cleaned of centuries of grime, treated with preservatives, and reassembled in its original position—a massive three-dimensional jigsaw puzzle requiring exceptional precision.
The restoration cost approximately $25 million (equivalent to over $100 million today), funded by the Indonesian government, UNESCO, and international donors. The project employed hundreds of workers and utilized both traditional techniques and modern engineering. When completed in 1983, Borobudur was structurally sound for the first time in centuries. The success of the restoration earned international acclaim and established methodologies later applied to other archaeological sites worldwide. In recognition of this achievement and the monument's universal cultural significance, UNESCO designated Borobudur a World Heritage Site in 1991.
Modern Challenges & Ongoing Conservation
Despite the successful UNESCO restoration, Borobudur continues to face significant conservation challenges. The 2006 Yogyakarta earthquake measuring 6.3 magnitude caused structural damage, cracking stones and displacing blocks. In 2010, Mount Merapi—just 28 kilometers away—erupted violently, covering Borobudur in several centimeters of volcanic ash that required months of careful cleaning to prevent acid damage to the stone. The monument faces ongoing threats from mass tourism, with millions of visitors annually causing wear on the stone steps and terraces. Environmental factors including tropical weathering, biological growth (algae, lichen, moss), air pollution from nearby urban areas, and climate change all contribute to stone deterioration. The Indonesian government has implemented visitor management strategies, including limiting access to certain areas, requiring visitors to wear protective footwear, and establishing buffer zones around the site. Continuous monitoring using sensors, regular maintenance, and periodic conservation treatments ensure that this irreplaceable monument will endure for future generations.
Sailendra Dynasty rises to power in Central Java; Buddhist golden age begins
Construction of Borobudur under Sailendra kings, likely commissioned by King Samaratungga; approximately 75 years of continuous building
Borobudur completed; serves as major pilgrimage center and monastery complex
Capital shifts from Central to East Java; beginning of Borobudur's decline
Catastrophic Mount Merapi eruption contributes to abandonment; volcanic ash begins to bury the monument
Hindu Majapahit Empire dominates Java; Borobudur gradually abandoned and forgotten
Islamization of Java; monument completely buried and survives only in local legends
Sir Thomas Stamford Raffles alerted to ruins; H.C. Cornelius leads excavation with 200 workers
First scholarly monograph published by C. Leemans; international recognition begins
First photographs taken; extensive documentation of relief panels begins
King Chulalongkorn of Siam visits; given eight cartloads of sculptures, many now in Bangkok
Theodoor van Erp leads first major restoration; circular terraces stabilized, drainage system installed
UNESCO-led major restoration project; 1+ million stones dismantled, cleaned, and reassembled; modern engineering solutions implemented
Designated UNESCO World Heritage Site in recognition of outstanding universal value
6.3 magnitude Yogyakarta earthquake causes structural damage; emergency repairs undertaken
Mount Merapi erupts violently; volcanic ash covers monument; extensive cleaning operation conducted
Ongoing conservation, visitor management, and digital documentation efforts continue
Architectural Mandala
Borobudur's design is a three-dimensional mandala representing the Buddhist cosmology and path to enlightenment. Pilgrims walk a 5-kilometer path ascending through three levels of Buddhist cosmology: Kamadhatu (world of desire), Rupadhatu (world of forms), and Arupadhatu (formless world). The entire structure embodies the journey from ignorance to nirvana.
📐 Structure & Dimensions
- Base: 123m x 123m (404 ft x 404 ft)
- Height: 35 meters (115 feet) above ground
- Built from 2 million stone blocks
- Estimated 55,000 cubic meters of stone
- No mortar used - interlocking stones
- Nine stacked platforms total
- Built on small hill for elevation
🌍 Three Realms of Existence
- Kamadhatu (Base): World of desires, hidden by later foot
- Rupadhatu (Middle): Five square terraces, world of forms
- Arupadhatu (Top): Three circular platforms, formless realm
- Represents journey from earthly to enlightened
- Pilgrim ascends counterclockwise
- Each level progressively more refined
🎨 Relief Panels (2,672 total)
- Hidden base: Karmavibhangga (law of karma) - 160 panels
- Main wall: Lalitavistara (life of Buddha) - 120 panels
- Jataka tales: Buddha's previous lives - 500+ panels
- Avadana: Buddhist legends - 500+ panels
- Gandavyuha: Sudhana's quest for enlightenment - 460 panels
- Total 1,300+ narrative panels depicting Buddhist teachings
- Additional decorative panels with flora, fauna, celestial beings
🧘 Buddha Statues (504 total)
- 432 Buddha statues on balustrades
- 72 openwork stupas with seated Buddhas
- Each exhibits one of five mudras (hand positions)
- East: Bhumisparsa mudra (calling earth to witness)
- South: Vara mudra (giving/offering)
- West: Dhyana mudra (meditation)
- North: Abhaya mudra (fearlessness)
- Zenith: Dharmachakra mudra (teaching/turning wheel)
🔔 Perforated Stupas
- 72 bell-shaped stupas on circular terraces
- Diamond-pattern perforations allow viewing inside
- Each contains seated Buddha statue
- Symbolize transition from form to formlessness
- Visitors touch statues for good fortune
- Local belief: touching through hole brings luck
🏔️ Central Stupa
- Main stupa crowns entire monument
- Height: 35 meters from base
- Originally may have held relic or Buddha statue
- Now empty (debated whether intentional)
- Represents ultimate nirvana/emptiness
- Sealed without opening
- Goal of pilgrim's circumambulation journey
Buddhist Philosophy & Symbolism
📖 Visual Dharma
Borobudur functions as a massive stone sutra, teaching Buddhism through visual narrative:
- Relief panels tell stories from Buddhist texts
- Illiterate pilgrims could "read" spiritual lessons
- Circumambulation (pradakshina) is meditative practice
- 3-mile journey through 1,300 narrative panels
- Each circuit reveals deeper teachings
- Architecture itself is sermon in stone
🌸 Mandala in Three Dimensions
- Viewed from above, forms perfect mandala
- Square within circle, cosmic diagram
- Four cardinal directions aligned precisely
- Represents Buddhist universe
- Pilgrimage recreates spiritual journey
- Physical movement mirrors internal transformation
🎭 Jataka Tales
- Previous lives of Buddha depicted
- Stories of compassion, wisdom, sacrifice
- Bodhisattva path illustrated
- Over 500 panels devoted to jatakas
- Moral lessons in visual form
- Popular stories: Vessantara Jataka, Mahakapi Jataka
🌟 Sudhana's Quest
- Gandavyuha Sutra depicted on highest galleries
- Youth Sudhana seeks enlightenment
- Visits 53 spiritual teachers
- Culminates in vision of Bodhisattva Samantabhadra
- Mirrors pilgrim's own journey at Borobudur
- Represents Mahayana ideal of universal enlightenment
🧘 Hidden Base & Karma
- Original base covered by later addition
- Karmavibhangga panels depict law of cause and effect
- Shows consequences of good and evil actions
- Possibly hidden to strengthen structure
- One corner left exposed for viewing
- Teaches karma's role in rebirth
☯️ Symbolism of Emptiness
- Upper levels progressively less ornate
- Transition from form to formlessness
- Central stupa's emptiness = ultimate truth
- Represents sunyata (emptiness) doctrine
- Release from attachment to material world
- Final step before nirvana
Modern Significance
🇮🇩 National Symbol
- Indonesia's most visited tourist attraction
- Symbol of national pride and identity
- Featured on currency and official emblems
- Represents Indonesia's Buddhist heritage
- 3-4 million visitors annually
☸️ Buddhist Pilgrimage
- Active pilgrimage site for Buddhists worldwide
- Waisak (Vesak) celebration held annually
- Thousands gather for Buddha's birthday
- Monks lead procession with candles
- Spiritual rather than touristic experience
- Indonesia's Buddhist minority maintains traditions
🏛️ UNESCO World Heritage (1991)
- Outstanding universal value recognized
- Largest Buddhist monument globally
- Masterpiece of human creative genius
- Testimony to Javanese civilization
- Model for conservation efforts
🔨 Conservation Challenges
- Volcanic activity threatens structure
- 2010 Merapi eruption deposited ash
- Earthquakes cause stone damage
- Mass tourism impact management
- Weathering and erosion ongoing
- Climate change considerations
- Continuous monitoring and maintenance
📚 Archaeological Research
- Ongoing studies of construction techniques
- Iconographic analysis of reliefs
- 3D scanning for digital preservation
- Investigation of hidden chambers
- Dating refinement through new methods
- Understanding Sailendra civilization
🎓 Cultural Education
- Teaching Buddhist philosophy globally
- School groups visit for education
- Interfaith dialogue promotion
- Art and architecture studies
- Symbol of religious tolerance
- Living connection to ancient wisdom
Visitor Information
🎫 Access & Tickets
- Location: 40 km NW of Yogyakarta, Central Java
- Hours: 6:00 AM - 5:00 PM daily
- Sunrise entry: 4:30 AM (special ticket required)
- Time needed: 2-3 hours minimum
- Best time: Early morning or late afternoon
- Tickets: Online booking recommended
🌅 Sunrise Experience
- Spectacular views from monument
- Watch sunrise over volcanoes and jungle
- Merapi, Merbabu, Sumbing visible
- Mystical atmosphere with morning mist
- Limited tickets (book weeks in advance)
- Unforgettable spiritual experience
👕 Dress Code & Etiquette
- Modest dress required (sarongs provided)
- Shoulders and knees covered
- Respectful behavior at active religious site
- Walk counterclockwise (traditional)
- No climbing on stupas or statues
- Silent contemplation encouraged
💡 Practical Tips
- Wear comfortable walking shoes
- Bring water, sun protection, hat
- Can be very hot and humid
- Rainy season: Nov-March
- Dry season: April-Oct (best time)
- Hire guide for deeper understanding
- Photography allowed (no flash)
- Allow full morning or afternoon
🏛️ Nearby Attractions
- Mendut Temple: Buddhist temple 3 km away
- Pawon Temple: Small temple on axis with Borobudur
- Prambanan: Hindu temple complex (47 km)
- Yogyakarta: Cultural capital of Java
- Merapi Volcano: Active volcano tours
- Rice paddies and traditional villages nearby
🎊 Special Events
- Waisak (Vesak): Buddha's birthday (May full moon)
- Massive candlelit procession
- Buddhist monks from around world
- Meditation and prayers
- Cultural performances
- Unforgettable spiritual gathering
Related Topics
Explore Connections
Discover related temples and archetypal themes:
Sources & Further Reading
Key Works:
- Miksic, John N. Borobudur: Golden Tales of the Buddhas. Periplus Editions, 1990.
- Soekmono, R. The Javanese Candi: Function and Meaning. Brill Academic Publishers, 1995.
- Gomez, Luis O. & Woodward, Hiram W. Barabudur: History and Significance of a Buddhist Monument. Berkeley Buddhist Studies Series, 1981.
- Fontein, Jan. The Pilgrimage of Sudhana: A Study of Gandavyuha Illustrations in China, Japan and Java. Mouton & Co., 1967.
- Krom, N.J. The Life of the Buddha on the Stupa of Barabudur according to the Lalitavistara Text. Hague, 1926.
- Dumarcay, Jacques. Borobudur. Oxford University Press, 1978.
- Snodgrass, Adrian. The Symbolism of the Stupa. Cornell Southeast Asia Program, 1985.
- Moens, J.L. Barabudur, Mendut en Pawon en hun onderlinge samenhang. 1951.
Restoration & Conservation:
- Van Erp, Theodoor. Beschrijving van Barabudur. The Hague, 1931.
- UNESCO. The Restoration of Borobudur. UNESCO Press, 1983.
- Voûte, Caesar & Mark Long. Borobudur: Pyramid of the Cosmic Buddha. D.K. Printworld, 2008.
- Tanudirjo, Daud Aris. "The Dispersal of Austronesian-Speaking Peoples and the Ethnogenesis of Indonesian People." In Austronesian Diaspora, 2006.
Buddhist Context & Symbolism:
- Bernet Kempers, A.J. Ageless Borobudur: Buddhist Mystery in Stone. Servire/Wassenaar, 1976.
- Lokesh Chandra. Borobudur: A Monument of Mankind. Indira Gandhi National Centre for the Arts, 1992.
- Mus, Paul. Barabudur: Esquisse d'une histoire du bouddhisme fondée sur la critique archéologique des textes. 1935.
- De Casparis, J.G. "The Date of the Sailendra Inscriptions." In Prasasti Indonesia, 1950.
Online Resources:
- UNESCO World Heritage Centre: Borobudur Temple Compounds
- Borobudur Conservation Office (Indonesia Ministry of Education and Culture)
- Digital Library of Indonesian Cultural Heritage
- Southeast Asian Archaeological Institute Publications